ODD-1
Microsonic Lab
Capture, transform and layer sound. Leave the laptop behind.
ODD-1 is a laboratory for sound synthesis, or a playground, depending on your mood. Developed around an entirely new microsonic synthesis engine, it is organized in rows like a rack-mounted modular synthesizer, and is designed for you to get patching and experimenting right out of the box. With three performance modes — SYNTH, LIVE and LOOPS — ODD-1 is as versatile as an instrument gets.
FREE SHIPPING in US and EU.
Shipments in U.S. to start by September 18. Shipments outside U.S. to start by December 2026.
$999
Shipping now in the U.S. (contact us for dates outside the U.S.) · Free shipping in U.S. · 2-year warranty · Includes ODD-1V Plug-In
SYNTH
Build sounds from your own samples. Eight voices, two layers.
LIVE
Transform and perform with audio input in real time.
LOOPS
Capture hands-free, then modify and sync independent loops.
Sample anything through the input, or start from two GB of original sounds created for ODD-1
Stack or trigger up to eight samples and shape them with filters, saturation, echo and reverb
Use four playheads per layer — each with its own speed, pitch and TIME PATH — to scrub, freeze or reverse them as a note plays
With two independent layers — play a synth on one while the other loops or processes what you play
Hold any knob and press a source to modulate it — no menus, no lists
Take your patches into your DAW — ODD-1V is included, a $199 value
Variable-speed time path with four playheads enables sound design like no other synth on the market today. Pitch and time are fully independent. Grain size, spacing, shape, and stereo placement are easily adjustable with clever ways to randomize parameters. Each sound grain is passed through a binaural spatializer and an optional auditory-inspired bandpass filter.
One-of-a-kind Grain Engine
ODD-1 is organized in rows, like a modular rack. Every parameter can be modulated, and patch connections are, dare we say, even easier to make than plugging in a cable. Like a big modular synth the experimentation is limitless. In addition to the grain engine there are resonant filters, distortion, bit crush, compression, delay, reverb, LFOs, envelopes, and macro modules to play with.
Modular Experience
The large touch screen supports gorgeous sound visualizations, colorful representations of the grain synthesis process, and helpful plots of modulation sources and effects. Each module includes auxiliary parameters for refined details that are just one touch away. With the screen and modular organization, ODD-1 provides an unparalleled amount of depth without a hint of menu diving.
Vivid Color Touch Screen
ODD-1 is so slim and portable that it can fit into any desktop space, performance rig or travel bag. Never be without your modular synthesizer, looping, effects processing friend. And with a quad core, 64-bit ARM processor, you can be sure that it offers some of the most capable processing available, inside of that stunning form.
Stunning, More Than Capable
Connectivity
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3.5mm headphone
3.5mm stereo line input and output
Multi-channel USB-C input and output
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3.5mm TRS input and output
USB-C input and output
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4 control signal inputs
Configurable for sustain and expression pedals, foot switches, 0-5v CV and gate
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12V DC power barrel
Compute, Storage, Support
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3+ GB of user storage
2 GB factory sample library
1 GB of RAM
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4-core ARM A72 with NEON
64-bit math when needed
32-bit audio
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Transfer and use audio samples in .wav, .flac, .mp3 (.aif coming soon)
Mono or stereo samples
Flexible sample rates (44.1, 48 or 96 kHz recommended)
Capture new mono or stereo samples at 48 kHz
Sound Synthesis, Modular Processing
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Scrub forward, backwards, freeze or any combination with our vari-speed Time Path
4 independent playheads for harmonies, repetitions, or any wild thing you can imagine
Binaural spatialization of each grain
Auditory-inspired filter for each grain
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3 Envelopes
1 Vari-Speed Time Path
4 LFOs
4 Macros
4 Control Inputs
MIDI Key Number, Velocity, Pitch Bend, Mod Wheel, Aftertouch, CC Learning
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Every parameter can be held and becomes a modulation destination
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2 polyphonic layers, each with a 60-s stereo sample buffer.
Fully independent parameters and mod matrix per layer.
2 echo units per layer.
8 or more voices total, split across layers. Total number depends on parameter settings.
2 filters per voice (LP, HP, BP, BR)
2 non-linear saturators per voice (distortion, bit crush, compression)
